The wreck of the Andrea Doria, a luxury Italian cruise ship that sank in the north Atlantic ocean in 1956, is to some divers a sort of Mount Everest. It lies in about 70 metres of seawater, 160 kilometres from land. It has claimed ten lives to date and been the subject of several books and essays. Deep Descent deals specifically with this wreck. Shadow Divers and The Last Dive describe dives on the wreck, as well as featuring several of the regular charter captains and divers who pioneered diving on the Doria.
An Esquire article from 2000, written by Bucky McMahon (author of this article on Reunion’s shark problem), describes diving on the wreck, and attempts (as do they all) to pin down the allure of this particular piece of ocean debris. The article was written after a thirteen month period (late 1998- late 1999) during which five divers from the same charter boat (the Seeker) died on the wreck. It is written in a masculine, aggressive style that may be characteristic of McMahon’s writing, but is certainly characteristic of the sort of behaviour that seems to play (or have played) out on the Andrea Doria since people started diving her.
But how does it feel? What’s it like to know you are in a story that you will either retell a hundred times or never tell? You decide to drop down into the black hole. No, you don’t decide; you just do it. Why? You just do. A little ways, to explore the wreck and your courage, what you came down here to do. What is it like? Nothing under your fins now for eighty feet but the mass and complexity of the machine on all sides–what was once luminous and magical changed to dreary chaos. Drifting down past the cables that killed John Ornsby, rusty steel lianas where a wall has collapsed. Dropping too fast now, you pump air into your b.c., kick up and bash your tanks into a pipe, swing one arm and hit a cable, rust particles raining down. You’ve never felt your attention so assaulted: It is everything at once, from all directions, and from inside, too. You grab the cable and hang, catching your breath–bubble and hiss, bubble and hiss. Your light, a beam of dancing motes, plays down a battered passageway, where metal steps on the left-hand wall lead to a vertical landing, then disappear behind a low, sponge-encrusted wall that was once a ceiling. That’s the way inside the Doria.
Read the complete article here.
