Sharks – Michael Muller

Michael Muller is probably best known for his work as a portrait photographer (focusing on celebrity subjects). He also has, it turns out, a longstanding fascination with sharks. While working as a commercial photographer for Speedo, Muller designed and built a waterproof housing for his 1,200 watt studio strobe lights. Incredibly, he takes these lights underwater – assisted by two to six divers and at least one person on the boat – and has spent a couple of years travelling the world to photograph sharks.
The resulting photos, of bull, tiger, white, hammerhead and several other species of shark, are fascinating. They are unlike any shark photographs I have seen before, with a cinematic quality and the intensely unusual property – for most underwater photos – of being filled with light. Sharks swim out of bright white light towards the camera, and many of the images are deliberately over-exposed, heightening the dramatic effect. The jump from having professional-quality camera strobes to essentially a full studio lighting rig underwater is enormous, and the results are visually stunning.
Muller’s pictures, to me, emphasise the otherness of sharks. They do not look like cuddly, approachable (although in many cases Muller went very, very close to his subjects) or easy to fathom animals. I like this. Some approaches to conservation try to emphasise how sharks do not intend harm, and attempt to demystify them, with the aim of making them comprehensible and thus worthy of protection. The genre of photography that shows divers and sharks apparently harmoniously inhabiting the watery realm is invariably more about the humans than it is about sharks. That criticism cannot be levelled at these images.
The final sections of the book contain a species guide, essays about shark ecology and conservation, and technical information about the photographic equipment and shot set up. Some of the shark biology and conservation information was contributed by Capetonian shark conservation biologist Alison Kock, who put False Bay’s white sharks on the scientific map.
You can preview some of the images from the book here, and an interview with Muller here. The Washington Post and Wired have image-rich features on this project, too.
This is an enormous book (standard Taschen fare). You’re going to need a bigger bookshelf (a joke about this book which has no doubt been made forty times – I apologise). You can get a copy here (South Africa), here or here.
If you’re a fan of shark photography books, you could also check out Shark and (more substantially) Great White and Eminent Grey.